The Chancay Burial Dolls

The Chancay were a pre-Columbian archeological civilization which developed between the valleys of Fortaleza, Pativilca, Supe, Huaura, Chancay, Chillón, Rimac and Lurin, on the central coast of Peru from about CE 1000 to 1470. Not much is known about the Chancay civilization, which developed in the later part of the Inca Empire. This culture emerged after the fall of the Wari civilization. Parts of the southern Chancay area were conquered by the Chimú in the early fifteenth century and in about 1450 A.D. the Incas were occupying both areas.It is believed that the Chancay had a centralized political structure, forming a small regional state.Thus the Chancay culture declined in the fifteenth century to make way for the territorial expansion of the Inca Empire.

Occupying the central coast coastal region of Peru, the Chancay were centered mostly in the Chancay and Chillón valleys, although they also occupied other areas such as the Rimac and Lurin valley areas.The center of the Chancay culture was located 80 kilometers north of Lima. It is a desert region but has fertile valleys bathed by rivers and is rich in resources that allowed for, among other things, extensive agricultural development.

The Chancay developed intense trade relations with other regions, allowing them to interract with other cultures and settlements in a wide area. The most well-known Chancay artefacts are the textiles which ranged from embroidered pieces, different types of fabrics decorated with paint. A variety of techniques, colours and themes were used in the making of textiles.They used an array of colours including yellows, browns, scarlet, white, blues and greens.

In type of fabric used include llama wool, cotton, chiffon and feathers.Their technique involved were decorated open weave, brocade, embroidery, and painting.Brushes were used to paint anthropomorphic, zoomorphic, geometric and other creative designs directly on the canvases. The Chancay are known for the quality of their painted tapestries. The typically geometric designs also included drawings of plants, animals such as fish, cats, birds, monkeys and dogs (most notably the hairless Peruvian dog)as well as human figures.Birds and deities wearing crescent-like headdresses were one of the more common decorative features.

They produced a variety of goods such as clothing, bags, and funeral masks. The burial ‘dolls’ of the Chancay culture are made of woven fabric, and are normally stuffed with reed or fiber. Some ‘dolls’, such as that of a llama which was displayed in the National Gallery of Australia, have been found to be stuffed with tiny round grains instead. The ‘dolls’ are dressed in gendered garments woven to size, and would usually have tapestry-woven faces with dramatic facial features. Some of these ‘dolls’ have been found to be holding an item in their hands – a ball of cotton, a piece of yarn, or even a musical instrument.

These ‘dolls’ are believed to represent human beings, rather than supernatural beings (such as gods or spirits) based on the details of their costume. These details also serve to show the gender of the ‘dolls’. For example, female ‘dolls’ have netted head cloths, whilst male ones have slings. Additionally, the gender of these ‘dolls’ can be distinguished based on the patterns on their faces. Females are said to have “several variations of diagonal stepped patterns”, whilst their male counter-parts are reported to have a more standardized “pattern of three triangular sections”.

An Uncertain Purpose
The function of the Chancay burial ‘dolls’ is unknown, and much speculation has been made regarding this subject. The fact that these ‘dolls’ have been found in graves adds another layer of complexity to this question...